In the final season, the characters had more space to show greater depth as the story came to a close. For the audio, there was plenty of room to make it as detailed as possible for this great TV show. We thoroughly enjoyed every moment of working on three seasons with director Anna van Keimpema.

Sync montage was a challenge due to ensemble scene's and the complexity of the locations. Careful editing was required to keep dialogue clear and believable. Score and atmospheres guide the emotional flow of the film. They support the scenes without ever overpowering the dialogue.

We needed to go bigger than life. Impressive impacts, powerful whooshes and sweeping transitions drive the story from beginning to end, giving the visuals extra scope and drive.

Having Amsterdam as the background of the movie is fantastic. The UNESCO 17th-century canals and wide rooftop panoramas give us room for a beautiful, calm city soundscape. The chic interior of the 5-star Hotel Des Indes, located in The Hague, shines through in all the foley, sound effects, and ambient sounds.

How do you celebrate a bachelor party nearby when you expected a sunny paradise? Pure chaos in a lousy hotel in Lelystad. From car chases to strip scenes set to cheesy organ tunes, we brought this sonic madness together in the mix. Blending the dreamy house themes of composer Guido Maat with Hawaiian guitar riffs, we ensured one hell of a rollercoaster ride for the girls.

Oh yes, we were in for a challenge. Capturing the pulse of the big city was essential, with dense urban atmospheres and every kind of chase imaginable. Extensive ADR sessions allowed us to maintain full control over the city noise.

Three boys from the hood in Amsterdam-West find themselves getting into deep trouble. Big talk creates big problems, providing the perfect canvas for sound design at its best. Alongside the soundscape, we created the Turkish-infused score, making this both a challenging and incredibly rewarding project.

Six crazy stories that called for extraordinary sound design. In this world, there are no rules—anything goes to make the narrative bigger and bolder. With a different director for each episode, creating this series was a thrilling ride.

Romantic comedies demand flawless audio. With the gritty city of Rotterdam as the film's setting, our main challenge was taming the production's urban noise. Through a combination of expert editing, advanced plugins, and AI, we transformed the chaos into a gentle, immersive atmosphere.

A road movie about twin sisters scattering their father's ashes in Spain together with their best friends is the perfect setup for a great story. Moving from location to location, we tackled and optimized the production sound for every unique environment. Working closely with director Jelle de Jonge, we brought every sonic detail to life in the mix, seamlessly blending it with Alexander Reumers’ beautifully layered score.

To match the foley with the production sound in the sitcom scenes, we decided together with the foley studio to record everything half a meter further away than usual. As the film shifts toward “normal” proportions, the cinematic Steffen and Flip sound returns. A crazy sonic ride for a Krazy House.

It is all about timing. Playful sound effects are woven in between the music, accentuating the rhythm of the edit and highlighting the comedy throughout the film.